As an elementary art teacher, I'm always on the hunt for cool looking art problems for my students to solve ---- and bonus points if they can be completed in one class period! I came across Gelli Arts� printing plates at the NAEA conference in Fort Worth a few years ago, and I was hooked. That night, in my hotel room, I ordered my first Gelli� plate so it would be delivered to my house when I got back from the conference. I played with it for a while, and realized that Gelli� printing was the perfect way to introduce layered mono-printing to elementary aged students. It's non-toxic, immediate, and (relatively) easy to clean up. Even the youngest artist can make something fantastic!
I usually reserve Gelli� printing for my oldest group ---- my 4th graders. I save the lesson for them because as the most senior of my students, they know to care for the Art Studio as their own space. They know that the space is a shared one, and that it's fine to make a mess in the name of art ---- as long as you clean it up and get the space ready for the next artist.
I cover the tables with newspaper, and tape it down, so the entire surface becomes a usable workspace. We ink on it, we lay our stencils, we clean our brayers on it. It almost becomes a second canvas for the kids to work on! Clean up afterwards is a breeze.
Special Note from Gelli Arts�: Make sure you leave the plastic mylar sheet on the base of the plate ---- that way the newspaper ink won't transfer onto your Gelli� plate. If newspaper ink gets on the Gelli plate, use baby oil to remove and then wash with dish soap and hot water.
You could also use butcher block paper ---- and then really keep the working surface as a frameable piece! After covering the tables, I lay out a Gelli� plate (on the mylar sheet that it ships with) and a brayer for every student. In the beginning, as I was building up my supply of Gelli� plates, I had the students share plates. That way they could work collaboratively and talk through their art-making process together.
Gelli Arts� have come out with a new plate that is PERFECT for the classroom ---- a 5x5" square. This size lets you halve 8.5x11" sized paper, rather than using a full sheet per print. I like to cut my paper into squares to mimic the plate.
I put out a few different colors of paint (which we call "ink", since we're working on being authentic printmakers) at each table, and let the kids trade colors back and forth. This way it's ok if each table doesn't have all the colors (and that cuts back on how much paint you need on hand), and it gives you the opportunity to buy a variety of colors, rather than just a few.
As the kids come in to class, I explain that today will be an experimenting day. They will work for the full class time (60 minutes), with the exception of 10-15 minutes to clean up. This is KEY in making the art concept work. Some students believe they are "finished" when they've made one or two prints. By setting the expectation that they will work for the entire class and experiment with the process, this gives them the freedom to do just that.
I run through a quick demo (3 minutes tops) where I show how much "ink" to lay on the plate (a toothpaste glob), and how to use the brayer. I introduce stencils, bubble wrap, and string into the process. When it comes time to make the second print on top of the first, I have them talk me through the process. And that's it. Really. Then I release them to the wilds, and let them go to it.
In the beginning, they start out cautiously. They use one color, then another...one stencil, and then another. And then they start experiment. That's when it gets exciting. That's when it gets loud, and messy, and fantastic. They realize that they can put more than one color on the plate! They can write words into the ink! They can ink one section of the plate, and leave another section empty!
This is the best part of the lesson. The kids get more and more excited, and start discussing what they've done.
"How'd you get that?!" "What did you do there?!"
At a few points throughout the work time, we'll all take a break from printing and circle around one student's work to talk about what they've created. This is when I explain that they're probably going to make some really ugly prints ---- and then they laugh. I tell them that artists make a whole lot of bad (unsuccessful, ugly, blech) art and then get one or two fantastic pieces. This lets them have the freedom to make mistakes, and learn from them.
Special Note from Gelli Arts�: the new 5x5 Gelli plates do not ship in individual clam shells. So after clean up � storage means the plates get stacked with a sheet of mylar between them, as they are originally shipped.
-- Written by Art Educator Camille Gammon-Hittelman
All of us at Gelli would like to extend a HUGE thanks to Camille for guest-blogging here today! She's shown all of us how easy it is to introduce Gelli printing into the classroom and generate excitement and a passion for printing in young students!
You can get plenty of ideas for developing lesson plans right here � from our blog posts and videos. Each post features a fun technique for Gelli printing � so take a look!
You can get plenty of ideas for developing lesson plans right here � from our blog posts and videos. Each post features a fun technique for Gelli printing � so take a look!
It is easier than ever to find a Gelli Arts retailer near you! Check the domestic or international listings on our website or just click the button below!
Materials Used:
- Gelli� Plates
- Pencils (for writing names on backs of papers)
- Printing Paper - I cut the paper down to a square that's one inch larger than the plate
- Acrylic Paint
- Stencils
- Bubble Wrap
- String
- Feathers
- Doilies
- Rubber Drawing Tools
- Brayers
- Newspaper
- Masking Tape - to keep the newspaper or butcher paper attached to the table
- Baby Wipes
- Smocks
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